French Baroque Era Painter, 1594-1665 French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,  Related Paintings of POUSSIN, Nicolas :. | Landscape with the Gathering of the Ashes of Phocion by his Widow af | Acis and Galatea stg | The Triumph of Neptune (detail) DF | Et in Arcadia Ego af | Landscape with the Gathering of the Ashes of Phocion (detail) af |
Related Artists:
Krimmel John
American portrait and genre painter. b.1789 d.1821
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1150 - 80. In North America the best-known collection is probably Poor Richard's, an almanac published 1732 - 57 by Benjamin Franklin. In North America may be the most famous collection of Richard are poor, and the publication of one year from 1732 to 1757 by Benjamin Franklin.
Deas Charles
American Painter 1818-1867 After an unsuccessful attempt to obtain an appointment at West Point Military Academy, he turned to an artistic career. He quickly earned recognition at the annual exhibitions of the National Academy of Design, New York, to which he was elected an associate member in 1839, with subjects taken from James Fenimore Cooper,